Friday, April 30, 2010

Zanjeer : "The Angry Young Man."


Zanjeer (Devanagari: ज़ंजीर, Urdu: زنجیر, translated as "Shackles"), is a 1973 film from India starring Amitabh Bachchan, Jaya Bachchan (his real-life wife), Pran and Ajit. The movie changed the trend from romantic films to action films and pioneered Amitabh's new image of a brooding but explosive person who fights back when cornered. He was now known as "The Angry Young Man." The film became a "superhit" at the box office. It collected over Rs. 5 crores (Rs. 50 million) at the box office.

Plot summary

The film opens on Diwali with the death of young Vijay Khanna's parents, done by a man of unknown identity with a white horse on his charm bracelet, or "zanjeer". Because of this traumatic event, Vijay has recurring nightmares of a white stallion. Fast forward 20 years, and Vijay (Amitabh Bachchan) is now an inspector, an honest police officer in a town where few are just. He receives complaints about a local Indian Muslim man, Sher Khan (Pran), who is running gambling dens. When he calls Khan in for questioning, Khan's superiority complex chafes against Khanna's police authority, as he scolds the officer, telling him he only orders him around due to the uniform he wears. Vijay takes him up on his challenge, and meets him in street clothes to fight him. At fight's end, Sher Khan not only closes his gambling dens, but has gained respect for Vijay. He becomes an auto mechanic, and reforms his ways.

Various dealings of the underworld continue unabated throughout the town, all tracing back to gang leader Teja (Ajit). A mysterious caller continually phones Inspector Khanna to inform him exactly when a crime is about to take place, but hangs up before Khanna can extract any more information out of him. When a traffic accident perpetrated by gang members leaves several children dead, a witness, a street performer named Mala (Jaya Bhaduri), is bribed by Teja's men to keep quiet. When she is questioned by Vijay, he becomes enraged at her denying she knows anything, and, to sway her differently, takes her into the morgue to view the mangled bodies of the children. She has a change of heart, and comes clean, asking that the bribe be donated to an orphanage. She identifies the man behind the traffic accident.

Once it is known that Mala has broken her word, Teja's men come after her. She is chased through the night, narrowly escaping across the train tracks, and coming to Inspector Khanna's house, desperate for shelter. He lets her in, allows her to stay, and the two discover that they are both orphans, and discuss the fears associated with living alone. Khanna kindly takes her to his brother and sister-in-law, and, under the sister-in-law's tutelage, Mala begins to learn how to keep house, as well as English, and other refineries.

Eventually, Vijay is framed for bribery, stripped of his title and position as inspector, and jailed for 6 months on false charges, trapped by Teja. When he is released from jail, he plans to take revenge. Mala, by this time, has developed from a frightened stranger seeking his help to a romantic interest for him. She begs him, to seal their relationship, that he must stop being so vengeful. He agrees, but soon must come to terms with such a promise when he meets, in a Christian cemetery, the informant who had called him in the past when he was an inspector. The man, De Silva, a Mangalorean Catholic, appears half-insane, holding onto an empty bottle. He says that on Christmas several years before, his three sons drank poisoned moonshine, and died from it. Until the killer is found, he will continue to wander with the bottle. When local criminals mocked him and called him crazy, he vowed to get back at them as he could: by phoning the inspector when a crime was about to happen.

After hearing this news, Vijay becomes depressed, torn between his desire to help the grieving De Silva, and his need to keep his promise to Mala that he would not take any more revenge on the lowlifes of the town. Eventually, along with a concerted effort by Sher Khan to cheer up Vijay, Mala relents, vowing she will not try to control him, and says he must do what is right.

The trail of tainted moonshine leads back to Teja and his men. Upon finally cornering the crook on Diwali, fireworks bursting overhead, Vijay also finds out that the person who murdered his parents, 20 years before, on the same night, is Teja, recognisable by the zanjeer on his wrist. Sher Khan helps him to fight Teja and his men, and take justice into their own hands, until the police arrive. When the hapless police inspector is held at gunpoint by Teja, Vijay manages to drop to retrieve a pistol from the ground, and shoots him dead, his body falling into the swimming pool.

The movie is loosely based on the spaghetti Western Death Rides a Horse. It was later remade in Telugu as Nippulanti Manishi (1974) starring N.T. Rama Rao.
[edit] Popular Culture

In the 2008 British film Slumdog Millionaire, Jamal Malik is asked to identify the star in Zanjeer for 1000 rupees on the Indian version of Who Wants To Be A Millionaire?
[edit] Awards and nominations

* Filmfare Best Story Award - Salim-Javed
* Filmfare Best Screenplay Award - Salim-Javed
* Filmfare Best Lyricist Award - Gulshan Bawra for the song "Yari Hai Imaan Mera"
* Filmfare Best Editing Award - R. Mahadik
* Filmfare Nomination for Best Film
* Filmfare Nomination for Best Actor - Amitabh Bachchan
* Filmfare Nomination for Best Supporting Actor - Pran
* Filmfare Nomination for Best Music - Kalyanji Anandji
* Filmfare Nomination for Best Male Playback Singer - Manna Dey for the song "Yari Hai Imaan Mera"

Cheeni Kum : It Is An Unconventional Love Story !!!


Cheeni Kum (literally, less sugar) is a Hindi film made by advertising executive and debutant director R.Balakrishnan. It is an unconventional love story between a 34 year old woman and an older man of 64. This film released on 25 May 2007. It was inspired/influenced by the German Mostly Martha (film).

The film opens in the kitchen of Spice 6, an (fictitious) Indian restaurant in London. Waiters, busboys and chefs are busy at work taking orders, preparing food and serving up a storm. At the center of this restaurant is an ornery head chef, Buddhadev Gupta (Amitabh Bachchan), presiding over "London's best Indian restaurant". He is quick to fire a sous chef on the spot for making a small mistake. And he launches into a grand speech about the rise of the restaurant to prominence, about the art of cooking and how it stirs all the senses, and about the discipline and commitment required to maintain its stature.

One of the waiters, affectionately called Colgate (reference to the toothpaste) and incessantly teased because of his protruding front teeth, brings back a Hyderabadi Zafrani Pulao. The patron sent it back because she claims it has too much sugar: "cheeni zyada hai". As a meat dish, it is not supposed to have any of the sugar that unbeknownst to Buddhadev a sous chef had accidentally put in. The great Buddhadev is enraged. He brings it back to the table and lays out the patrons. The patrons quietly leave. Buddhadev returns to the kitchen muttering about low air fares bringing planeloads of bloody tourists who simply cannot appreciate his art.

The next day Colgate brings back another Zafrani Pulao. Buddhadev tastes it and rattles off its ingredients. He pronounces it, the child of his kitchen, the best Zafrani Pulao in town. Colgate meekly informs him that it was not sent back, but cooked specifically for him by the previous night's patron.

That patron is Nina Verma (Tabu).

Over the next few days Buddhadev and Nina run into each other a few times. Nina, a 34-year old software engineer, is intelligent, charming, playful, and strong willed, all under a quiet external demeanor. Buddhadev is every bit the pompous, irritable and lonely old man he portrays. The film takes us into his life. He returns, night after night, to his lodgings and to his aged mother (Zohra Sehgal). The bright spot in his life is his quick-witted 9-year old neighbor Sexy (Swini Khara). She teases him, checks up on him and dispenses advice (with apparent wisdom way beyond her age) about his problems. For all her wit and wisdom, Sexy suffers from leukemia. She also laments that she is not able to watch A-rated (analogous to R-rated films in America) films. Buddhadev offers to bring her DVDs. (Later in the film, she says there is nothing in them she didn't already know. She fast-forwards through them in an attempt to finish watching them all as quickly as possible.)

Buddhadev gradually gets closer to Nina. There is constant lively banter between them. She asks him why he fired yet another sous chef; if he is pleased to accept compliments about the food prepared by the sous chefs then he should gracefully accept criticism (and in this case fire himself!) too. Buddhadev is gradually summoning the courage to ask her out; she playfully suggests that he should come right out and ask without fear. Ask her name, she says, with a coy smile.

At some point during the next week, Buddhadev asks her if she will marry him. She accepts. When she goes to talk to his mother, she gets a phone call about her father, in Delhi, being admitted to the hospital. Right around this time, Sexy's condition worsens and she is admitted to a local hospital.

Buddhadev arrives in Delhi to meet Nina's father, Mr. Verma (Paresh Rawal). Mr. Verma is a typical old Indian retiree. He spends his life in Bhajan (devotional songs, mainly focused on Gandhi), Bhojan (food) and Bhaji (A reference to cricketer Harbhajan Singh, representing his love for cricket). Nina informs Buddhadev that her father, at 58, is 6 years younger than him! After a few false starts, Buddhadev asks Mr. Verma for his daughter's hand in marriage.

Mr. Verma is shocked and disgusted. He flatly refuses. Over my dead body, he raves at Nina. She immediately, yet quietly, asks him when he plans to go! He calmly tells her that he is concerned about her. Buddhadev is already an old man; how much longer can he live? She says she prefers spending a few years with a man she loves instead of a lifetime with some man she does not love.

It is a stalemate. Mr. Verma puts up a bhookh hartal (hunger strike, something commonly employed by Gandhi as a means of peaceful disobedience). Buddhadev arrives at the denouement. What is Mr. Verma's problem? He lays out the facts and addresses Mr. Verma's fears. He is adequately covered by insurance; Nina need not worry.

Mr. Verma finally relents. No sooner does Buddhadev hear this than he receives word from London that Sexy has died.

The film ends with Buddhadev, Nina, Buddhadev's mother and Mr. Verma having dinner at Spice 6. Buddhadev offers to fulfill one of Mr. Verma's life goals: watching the England vs India Test cricket match at Lord's stadium.

* Amitabh Bachchan as Buddhadev Gupta
* Tabu as Nina Verma
* Paresh Rawal as Omprakash Verma
* Zohra Sehgal as Buddhadev Gupta's mother
* Swini Khara as Sexy
* Vinay Jain as Sexy's Father

Music Composer Ilayaraja has composed 7 tracks. The reaction towards this album is generally positive. Fans of the maestro have praised Raja's efforts in spreading the acclaimed Tamil tunes and modernizing it in Hindi. Although some fans have panned that Raja should've created some more tunes and should've created an original soundtrack rather than recycle his classic Tamil and Kannada tunes. Reviewers such as Indiafm has rated this film 3 stars out off 5 with Joginer Tuteja quoting "'Cheeni Kum' turns out to be an enjoyable album which has its moments throughout its 7 track duration. While one never expected a musical from a film which told a love story that had never been seen before, 'Cheeni Kum' manages to throw in a nice-n-little pleasant surprise." Other sites such as Planet Bollywood, Sulekha, and fellow internet bloggers have praised Raja's melodious tunes in comparison's to today's music given by Himesh Reshamiya or Anu Malik.

Similarly Businessofcinema.com gave the album a 3/5 rating and mentioned that "sounds of the instruments and Vocals blend in harmony to provide a simple yet powerful score. This album is a must have, especially to play in between all those generated scores we are usually subjected to."

Awards

Cheeni Kum

1 award and 4 nominations, including the Apsara Award for Best Movie (2008)
[edit] Reception

"Cheeni Kum" mostly met with an average feeback. The acting has been universally praised. Also, the film's bold theme met with critical goodwill. However, the rather slow story lead some part of the audience to label the film "boring" and the rather repetitive final part of the film met with some concern from reviewers and audiences alike.

Black : : Revolves around a blind and deaf girl !!!


Black is a 2005 Indian film in Hindi and Indian English directed by Sanjay Leela Bhansali. Black revolves around a blind and deaf girl, and her relationship with her teacher who himself later develops Alzheimer's disease. The first half of the film is an adaptation of Helen Keller's autobiography The Story of My Life.

The film was screened at the Casablanca Film Festival and the International Film Festival of India.It won the National Film Award for Best Feature Film in Hindi and eleven Filmfare Awards. Time Magazine (Europe) selected the film as one of the 10 Best Movies of the Year 2005 from across the globe. The movie was positioned at number five.Indiatimes Movies ranks the movie amongst the 25 Must See Bollywood Films.

The story of Black is partly based on the true life story of Helen Keller. The film begins with Michelle McNally (Rani Mukerji), a blind and deaf woman, visiting her former teacher Debraj Sahai (Amitabh Bachchan), who now has Alzheimer's disease, in a hospital. The film then flashbacks to the past to her childhood.

Michelle was a girl who lost her eyesight and hearing a few months after birth and exists in a black world where she is isolated in the darkness of her own existence, trapped by her inability to see, hear and express. She grows up becoming more and more frustrated by the black and dark world around her, making her a violent, uncontrollable eight-year old child. Her parents, Paul and Catherine, are at their wits' end trying to control her, until one day the light shines through the end of the tunnel.

Debraj Sahai enters their lives, an elderly alcoholic teacher for the deaf and blind, Debraj sees himself as a magician and is a disillusioned eccentric man. He takes it upon himself to bring young Michelle into the light. He uses harsh methods, although always for Michelle's long-term benefit. Initially, his methods are met with disapproval by Michelle's father, who asks Debraj to leave. Although her father thinks he is gone, Debraj stays as the teacher while her father is away on business for 20 days. Her mother grudgingly approves of his continuation given her fear of Michelle being sent to an asylum. By the 20th day, Debraj manages to teach Michelle some words and better manners, but he has difficulty teaching her the meaning of words. When Michelle's father returns, Debraj packs his bags. At the very last moment, as he is walking towards the door suitcase in hand, Debraj gets frustrated with Michelle's continuing insolent behavior and he throws her into a fountain full of water. Michelle suddenly takes to Debraj's lessons at that moment and begins to understand meaning. She is able to recognize her mother and father, and can vocalize the first syllables of some words. The McNallys decide to keep Debraj as Michelle's teacher.

Many years later, Michelle has learned a great deal, becoming relaxed and expressive, and she is even able to dance and expertly sign. Debraj convinces the Principal of a university to grant her an interview which she passes and gets admission to pursue a Bachelor's of Arts, the first deaf-blind person to do so at that university. Michelle moves away from home and lives with Debraj and one of her servants. Over the next 20 years, she struggles to gain her Bachelor of Arts degree, failing year after year, but she still maintains her spirit. One reason is that she must rely on Debraj completely for interpretation of the material and studying. This problem is overcome by the Principal of the school preparing the whole first-year Arts course of study in Braille. Another reason for her continuing failure is that her typing skills are lacking and typing is her only way to write down what she knows during exams. However, she also soon overcomes this deficiency through another flash of increased of competence when she almost quits the university and gets into an argument with Debraj.

As the same time as Michelle suffers through and triumphs over her challenges, we also witness numerous other changes. Debraj begins to succumb to Alzheimer's, first forgetting the way out of the Principal's office and then forgetting Michelle and leaving her stranded during an ice cream celebration for her improved typing. We also see Michelle reconcile with her sister Sara, who we find out was jealous of her parent's affection for Michelle throughout her life. After attending Sara's wedding, Michelle begins to wonder about love, which she has not experienced, and she even asks Debraj to kiss her on the lips. Debraj reluctantly does so but decides to leave Michelle on her own because of this demand and the position she has put him in. Twenty years after enrollment, Michelle does manage to gain her BA, and with her proud parents looking on her, she even gives a speech to the graduating class. Wearing no black graduation robe, she thanks her parents and her teacher and she announces that she will only wear the robe so that her teacher may see her first.

Debraj is in a mental hospital due to his almost complete inability to remember his past and even how to speak. Michelle visits him wearing her robe and we see glimmers of memory return as Debraj realizes that she has graduated and even does a victory dance. As the window opens to the rain outside, we see Debraj's hand in Michelle's reaching into the rain, and we hear the teacher-student pair say the first syllable of the word "water", with echoes of the scene in which Michelle first begins understanding the meaning of words earlier in the movie. However this time, it is Debraj who is beginning to learn to speak and understand. The movie ends on a hopeful note as Michelle who was originally the student now becomes aged Debraj's teacher.

* Amitabh Bachchan as Debraj Sahai
* Rani Mukerji as Michelle McNally
* Ayesha Kapoor as Young Michelle McNally
* Shernaz Patel as Catherine McNally
* Dhritiman Chaterji as Paul McNally
* Nandana Sen as Sarah McNally
* Sillo Mahava as Mrs. Gomes
* Mahabanoo Mody-Kotwal as Mrs. Nair

Sanjay Leela Bhansali first came up with the idea for Black in 1995 while filming Khamoshi: The Musical.He was inspired by Helen Keller's autobiography The Story of My Life and visited the Helen Keller Institute to do research. He also read the autobiography of deaf-mute pianist Geraldine Lawhorn for ideas. Much of the film was based on his observations between students, teachers and parents at the Institute. Bhansali originally planned for the film to be a low-budget film in Hindi and English which would provide a change from his prior film, the expensive Devdas.

A self-described "diehard fan" of Amitabh Bachchan since he was a child, Bhansali was able to cast him after Bachchan watched Hum Dil De Chuke Sanam and approached him about starring in one of his films. When Bhansali first approached Rani Mukherjee to play the role of Michelle McNally, she declined because she believed it was too challenging for her. To prepare for his role, Bachchan watched documentaries. Rani Mukherjee wore coloured contacts to give her the appearance of a blind girl and both Bachchan and Mukherjee studied sign language and Braille for seven months.A team of deaf-blind students were also on set advising the actors and instructing them in sign language.

The film was shot in Mumbai and in Shimla. The sets of Black were closed to prevent details about the film from leaking. The cast and crew experienced many difficulties during the film's shooting. During filming in February 2004 a fire broke out at the 15,000 square foot Mumbai set, destroying costumes and props. The fire was started in the night when a plug sparked and ignited. Bhansali was forced to start the indoor sets from scratch.Also, during the outdoor shoot in Shimla the script required snow but there was none so the crew brought in snowmaking machines from Mumbai and created a man-made snowy landscape.Permission to shoot at the Indian Institute of Advanced Study's Viceregal Lodge was initially denied, delaying the film further.

Release

Black was originally scheduled to be released on 10 December 2004, but Bhansali decided to postpone its release.[12] Black was released on 4 February 2005 in 170 different towns in India, a small number compared to most large-budget Bollywood films.[13] Black was also screened at several international film festivals like the Casablanca Film Festival.[14]
[edit] Critical reception

Black was met by mostly positive reviews. The acting of Rani Mukerji and Ayesha Kapoor was especially praised by critics.[15][16] Richard Corliss of Time magazine selected it as one of the best films of 2005.[2] It was also listed at number one on the Indiatimes' list of 25 Must See Bollywood Movies.[3]
[edit] Box office

Black grossed around Rs. 220,000,000 (US$ 4,906,000), making it the eleventh highest grossing Bollywood film of 2005. It was designated as an "average" financial success by BoxOffice India.com.[17] In addition, Black earned approximately $754,819 in the US and £473,862 in the UK.[18]
[edit] Music

The film's music is composed by Monty Sharma. Unlike many other Bollywood films, Black has only one song, "Haan maine chookar dekha hain", performed by Kunal Ganjawala's wife Gayatri Ganjawala.[19][20]
[edit] Awards

* Black won the Best Feature Film in Hindi Award at the 53rd National Film Awards.[21]
* Black made an all-time record at the Filmfare Awards by winning eleven awards,[22] beating the previous record holders: Dilwale Dulhania Le Jayenge (1995) and Devdas (2002) of ten wins each.

Sarkar Raj : Rule of the Overlord !!!


Sarkar Raj (Hindi: सरकार राज, translation: Rule of the Overlord) is a 2008 Indian dramatic thriller film set in the world of politics and crime. It was co-written and directed by Ram Gopal Varma. It is the sequel to Sarkar (2005).

The primary cast features three members of the Bachchan family - Amitabh Bachchan, Abhishek Bachchan, who reprise their roles from the prequel, and new entrant Aishwarya Rai. Supriya Pathak, Tanisha Mukherjee and Ravi Kale also reappeared in their respective roles from Sarkar.

The film released on 6 June 2008.

The politically influential Shankar Nagre agrees to back a power plant scheme presented by corporate hotshot Anita Rajan; providing their enemies, which include upcoming political firebrands, an embezzling facilitator and shady businessmen with a unique opportunity to destroy the mass political clout enjoyed by him and his father (Subhash Nagre), the political icon known as "Sarkar".

The plot of the film is inspired by Godfather (1972).

The sequel is chronologically set two years after the original film, Sarkar.

The movie opens with an assassination attempt against Shankar Nagre (Abhishek Bachchan) being busted by his lieutenant Chander (Ravi Kale). The assassination follows the 'chain of command' theory mentioned in The Godfather (novel) (the lower members or links of the chain were killed so that the planners could not be found). It was planned by Deputy Chief Minister of Maharashtra (a state in India), Karunesh Kaanga (Sayaji Shinde) and Hassan Qazi (Govind Namdeo).

Anita Rajan (Aishwarya Rai), CEO of an international electrical power firm based in London, holds a meeting with Mike Rajan (Victor Banerjee), her father and boss and Hassan Qazi, as a seemingly shady adviser and facilitator; regarding an ambitious proposal to set up a multi-million dollar power plant in rural parts of the state of Maharashtra in India. Qazi states that this project will be impossible due to possible political entanglements. When Anita asks him for a solution, Qazi states that enlisting the support of Subhash Nagre (Amitabh Bachchan) (commonly referred to by his title of Sarkar), who he describes as a criminal in the garb of a popular and influential political leader, might help their cause.

Sarkar is shown greeting a massive crowd from the balcony of his palatial bungalow in Mumbai, Maharashtra. They have gathered to celebrate his 60th birthday. He addresses the crowd and states that he is proud of what his son, Shankar, has achieved as the heir of the Nagre clan. He then goes down to mingle with the rejoicing crowd.

Anita is accompanied by the Chief Minister of Maharastra, Kaanga, and Qazi to the Nagres's residence. They put forward the power plant proposal to Subhash and Shankar. Subhash angrily rebukes the CM, who had been brought to power thanks to Sarkar's influence; for agreeing to sponsor the power plant as the project involved resettlement of around 40,000 people from five villages surrounding the major rural vote bank of Thakerwadi. The CM apologizes and promises that something like this won't happen again.

After this failed meeting gets over, the dejected Anita tells Qazi that she doesn't think things will work out in this 'jungle-like' political scenario. Qazi however reassures her by saying that there is still some hope left as Shankar had not said a word during the meeting.

Shankar is trying to convince his father about the benefits of the plant and the tremendous progress it can spark in the power-hungry state of Maharashtra. He states that one should overlook a small loss in the present if there is a promise of a greater gain in the future. After some convincing, Subhash somewhat reluctantly agrees to support the project.

Father and son proceed to Thakerwadi, accompanied by Shankar's wife Avantika (Tanisha Mukherjee), their trusted lieutenant Chander (Ravi Kale) and bodyguards. They have gone to meet Rao Saab, Sarkar's wise mentor and a popular leader in the interns of Maharashtra; to seek blessings and advice for the project. He is initially reluctant about the idea and Shankar vehemently opposes his stance. However, he agrees to give his go-ahead to the project after Shankar convinces him that Sarkar believes in the project, although it is apparent that neither Rao Saab nor Subhash himself is entirely convinced.

During the meeting, Rao Saab's grandson, Sanjay Somji (debutante Rajesh Shringarpure) storms in to complain about a matter and proposes a violent solution. Rao Saab promises to look into the matter and introduces him to the Nagres as a leader in the local farmers' union. He describes him as a short-tempered albeit good-natured man.

Anita and Shankar have a meeting, after which Qazi tries to bribe Shankar to let him embezzle money from the project; when Anita goes to attend a phone call from her father. However, the righteous Shankar informs Anita about the corrupt Qazi's plans. She informs her father who later fires him.

Shankar, along with Anita, visits the villages to mobilize support from the masses. During this campaign, Anita starts to admire Shankar and realizes her conversations with him sets a strong foundation for friendship with him. Shankar states that the power plant has become as much of a dream for him as it is for Anita, who relishes this opportunity as an opportunity to work independently from the constraints of her boss and estranged father. However, they face an obstacle in the form of Somji, who incites the people against the Nagres, calling them money-minded city-dwellers who don't care about the welfare of the rural public and are just out to grab tracts of their motherland. The fickle public react by protesting violently.

Kantilal Vora (Upendra Limaye), a businessman, approaches Sarkar with the proposal of shifting the project to the state of Gujarat, as the project was seemingly facing a dead end in Maharashtra. After his idea is unceremoniously rejected by the Nagres, he joins hands with Qazi and Kaanga (who is unhappy with Sarkar for making him deputy CM instead of CM) to make a plot against the Nagres.

Subhash mourns over the death of Vishnu (played by Kay Kay Menon in Sarkar), his erring son who was killed by Shankar for a murder attempt on his father. Later, Subhash tells his son that Kantilal Vora had come, in a manner that hints that he is a threat to their cause, but the seemingly overconfident Shankar brushes the matter aside and tells his father not to worry about anything as he would take care of whatever comes up.

Meanwhile Chander approaches Shankar with the idea of intimidating Somji, who is proving quite problematic. However, Shankar declares that he wishes to hold talks with Somji as he believes that both work for the benefit of Maharashtra and that Somji is merely uninformed about the project. He orders the bewildered and dismayed Chander to arrange for a meeting. With some difficulty, he succeeds in arranging a cell phone conversation just when Shankar is about to enter his car. As he is standing in the courtyard talking to Somji, the vehicle explodes. Avantika, two months pregnant was sitting inside the car waiting for Shankar, dies. Subhash, who rushes to the balcony on hearing the explosion, gets a heart attack on witnessing the scene.

Shankar fires Chander over the security breach that resulted in the explosion, without giving him a chance to prove himself. He appoints a deputy, Bala, as the new security officer.

Shankar, Anita and Pushpa (Supriya Pathak), Shankar’s mother, visit Subhash in the hospital. Here, Subhash consoles Shankar and tells him to forget the incident for a while and to keep going with the project. Shankar responds by asking his father how he could forget the loss of his beloved wife and unborn child.

Unknown assailants kidnap Somji as he is on his way to a rally. Media speculation and general opinion point to Shankar as the culprit. As Subhash watches the news with Kaanga, he notices by Kaanga’s speech and behavior that he could possibly be a perpetrator.

Shankar attends a party hosted by Anita for those involved in the project. Here, Mike tells Anita that he is giving the project to the business-minded Vora, as he is fed up of the problems faced by it in Maharashtra and also of Shankar’s idealistic approach to them. When Anita tells him that this would be wrong, as their promises to the rural public of Maharashtra would be broken; Mike remarks that she shouldn’t be moralistic and should think of profits. Anita replies that Shankar would not allow this, to which Mike ominously retorts that Shankar would be ‘taken care of’, thus arousing Anita’s suspicions. Her father then introduces her to Vora, and the two men go off to discuss the business.

Meanwhile at the party, Shankar receives a phone call from Chander, who in an attempt to redeem himself, has found out that Somji is being held captive by Qazi in a house in a forested region. Shankar leaves the party with Bala, rushes to the spot in a jeep and picks up Chander on the way, who leads them to the secluded hideout in the middle of a forested area. They wish to settle scores with Qazi and free Somji so as to shatter kidnapping allegations against them. Shankar purposely crashes the jeep into an electrical generator. This causes a forest fire, and all the guards rush outside and make efforts to stop it. Hence they become easy and unsuspecting targets for the trio. Shankar enters the house and shoots down Qazi as he rushes out about to escape. A terrified Somji is also freed.

The indebted Somji becomes an aide to the Nagres. Rao Saab calls Shankar and thanks him for bringing a positive change in his grandson, something he himself could not do. Meanwhile, Kaanga and Vora hire an assassin, apparently to kill Shankar. Shankar and Somji hold a joint press conference where they announce their alliance. Somji says that he is now a supporter of the project, a statement that brings some ire from one of the apparent supporters of his previous stance, who is present at the conference. The assassin is also present there.

Anita and Shankar are having a conversation over tea at a secluded balcony. Anita tells him that the project is being taken to Gujarat, to which he replies that only efforts are being made to take it there, and he won’t let that happen. He says that the two main threats, Qazi and Somji, have been taken care of, and now the going will be a lot smoother. Anita relays Mike’s statement that he would ‘take care of’ Shankar. But Shankar says that she is having irrational fears. The two face a few uneasy moments, realizing the extent of their feelings for each other and Shankar is then shot multiple times by the unseen assassin.

Subhash, Pushpa and Chander rush to visit Shankar at the hospital. The doctor informs them that Shankar's chances of survival are low. a heartbroken Pushpa collapses on hearing this. Subhash enters the ward where a fatally wounded Shankar and a sobbing Anita are present. He tries to give Shankar strength, but Shankar passes away and Anita starts crying uncontrollably collapsing to the floor. His body is taken for cremation, Subhash writes in the ashes and the rain increases to wash away the inscription as Anita watches.

Subhash begins on a path of bloody revenge. He asks Anita who was present with her dad at the party, and on being told that it was Vora, instructs Bala that he wants to see him "now". Vora is abducted and tortured at the Nagre’s mansion for information about the others involved, and presumably killed later. Kaanga is knifed at his office while Bala bludgeons the assassin to death with a rifle’s butt. Chander is also shown as one of the traitors. He was the one who informed the assassin about Shankar’s location. He was also angry that Shankar had fired him and chosen to trust a rookie (Bala). He says that he had been loyal to Subhash for twenty years as he respected him and his way of functioning, but could not digest the way Shankar worked as the Sarkar. Subhash tells him if after twenty years he couldn't understand, there was nothing to explain then. As Subhash turns to take a phone call Bala shoots Chander in the head.

Subhash goes up to Anita and informs her that her dad, Mike, had been shot dead by one of his men in London. She sheds a stray tear as Subhash tells her about the conspiracy to kill Shankar. Vora wanted to handle the profitable venture himself, while Qazi wanted to embezzle a few hundred crores from the multi-million dollar project. Both realized that Shankar’s presence would not allow them to do what they wanted and hence bumped him off. Kaanga meanwhile wanted to overthrow the ruling party so that he could enjoy the powers of being the Chief Minister of Maharashtra, but realized that the support given by the Nagres to the ruling party would prevent him from doing so. Killing Shankar was probably intended to weaken the Nagres’ hold over Maharashtrian politics. Meanwhile, Chander thought he would succeed Subhash as the next Sarkar but the unexpected arrival of Shankar on the scene (in the first movie Sarkar) dismayed him.

However, Subhash then states that he has discovered that this whole setup was actually a cover-up for an elaborate and dirty political conspiracy in which Qazi, Kaanga, Vora, Chander, Mike and the killer were merely pawns. When Anita asks him who the mastermind behind it was, Subhash unexpectedly replies that it was Rao Saab. The conspiracy was to make Somji the new ‘Sarkar’. He was the one who instructed the trio of Qazi, Kaanga and Vora about everything. The bomb that was planted in Shankar’s car was merely a distraction and was not meant to kill Shankar, as would have been thought (as Shankar would have been in the car had it not been for Somji’s phone call). Shankar was not bumped off at this stage because then the public perceived Somji and him to be enemies, and Shankar’s death would arouse his supporters suspicion against Somji and make them turn against him, thus defeating the entire purpose of the conspiracy. To achieve this end, Rao Saab orchestrated Somji’s kidnapping and sacrificed Qazi. Hence when Shankar saved Somji and Somji joined the Nagres’ campaign, the public perceived him to be a younger brother to Shankar. Thus when Shankar would be killed, the public would automatically consider his ‘brother’ Somji to be his successor. On hearing about the complete conspiracy, a stunned Anita asks Subhash what would happen next. Subhash talks about who would now take his son's place and she replies "Me". Subhash replies that Rao Saab would be coming to his residence the next day.

The next day as Rao Saab arrives, he sits down with Subhash and shows feigned grief over Shankar’s death. He then asks Subhash who would be able to take on Shankar’s mantle. Subhash points behind Rao Saab, who turns to see the bloody corpse of his grandson Somji and is visibly terrified as to what Subhash would do to him now that his plot has been uncovered. Subhash asks Rao Saab what he should do now. Subhash stands up and walks out of the room, what finally happens to Rao Saab is not shown.

Subhash is shown lamenting that his son had to pay the price of his actions. He goes and sits on his son’s desk, symbolizing that he has reclaimed the title of ‘Sarkar’ himself after Shankar’s death. He calls out to his wife Pushpa and tells her to call his daughter-in-law Amrita (the wife of the deceased Vishnu Nagre, played by Kay Kay Menon in the prequel Sarkar) and tell her to send his grandson Chiku from the city of Nagpur to their house in Mumbai. This is probably to feature his training as a successor in a sequel.

In the closing shots of the movie, Anita is shown at the Nagres’ residence holding a meeting, she turns and casually and comfortably asks for a cup of tea.

Cast :
* Amitabh Bachchan ... Subhash Nagre (Sarkar)
* Abhishek Bachchan ... Shankar Nagre
* Aishwarya Rai ... Anita Rajan
* Tanisha Mukherjee ... Avantika Nagre
* Ravi Kale ... Chander
* Victor Banerjee ... Mike Rajan
* Supriya Pathak ... Pushpa Subhash Nagre
* Dilip Prabhavalkar ... Rao Saab
* Rajesh Shringarpore ... Sanjay Somji
* Govind Namdeo ... Hassan Qazi
* Sayaji Shinde ... Karunesh Kaanga
* Upendra Limaye ... Kantilal Vora

Box office reception :
Sarkar Raj grossed almost Rs. 34 crores in India in its first two weeks and over $1 million in the USA. The Filmfare Magazine (August 2008 issue) and other media declared it to be among the only four hits in the first half of 2008 (along with Race, Jodhaa Akbar and Jannat).[1] However, there were reports in some sections of the media that the movie was an average grosser/flop. The producers retorted that the movie had earned more than the entire grossings of its hit prequel in its first two weeks itself. They also stated that they would not plan a sequel to Sarkar Raj if it itself was not successful.

According to the year end report of the The Free Trade Journal, Sarkar Raj was the 7th highest all-India grosser of the year after (in order) Ghajini, Rab Ne Bana Di Jodi, Golmaal Returns, Singh Is Kinng, Dostana and Race. The trade magazine also reported high international collections. It outstaged other supposed money spinners like Jaane Tu Ya Jaane Na, Jodhaa Akbar, Bachna Ae Haseeno, Rock On and Kidnap. The film was declared a flop in India, but was declared a super hit in Overseas market. Overall, the film was declared a semi hit.

Critical reception :

The movie has mostly garnered a positive critical reception (an impressive aggregate rating of 65% on allbollywood.com[2]). Some reviewers said that it could not recreate the impact and intensity of Sarkar, with others stating it was eons better than its prequel and took the series to a whole new level. Almost all agreed that it was a great comeback for Ram Gopal Verma, whose last few movies (Darling, Ram Gopal Varma Ki Aag, James, etc.) had been universally panned by critics and viewers alike.

There was unanimous praise for the relevant premise of development politics, the numerous plot twists (especially the final one) and the histrionics of Amitabh Bachchan, Dilip Prabhavalkar, debutante Rajesh Shringarpore and Ravi Kale.The performances of Abhishek Bachchan and Aishwarya Rai Bachchan received somewhat mixed reviews, with most critics praising their performances. However, some critics felt Abhishek's intensity was forced and not as natural as it was in Sarkar. Many labeled it as Aishwarya Rai Bachchan's best performance till date. Some critics displayed criticism Ram Gopal Varma for overhyping Aishwarya Rai Bachchan's role. However, most critics did not appreciate the cartoonish characterization of the villains played by Govind Namdeo, Sayaji Shinde and Upendra Limaye.[3] The background score was described as overbearing and overdramatic and was panned by almost all critics.

Awards and nominations :
The critically and commercially successful movie had many nominations and wins in the awards season.

Star Screen Awards:

Best Picture (nominated)

Best Actor - Male : Amitabh Bachchan (nominated)

Best Actor in a Supporting Role - Male : Abhishek Bachchan (nominated)

Best Actor in a Negative Role - Male or Female : Dilip Prabhavalkar (nominated)

Sarkar : The Leader Of the Mumbai-based Political Party!!!


Sarkar (Hindi: सरकार, Urdu: سرکار, translation: Government or colloquially, a title used in Hindi, to address someone of authority, or an overlord) is a 2005 Indian dramatic thriller film set in the world of politics and crime, directed by Ram Gopal Varma. It stars Amitabh Bachchan in the title role alongside Abhishek Bachchan, Kay Kay Menon, Katrina Kaif, Anupam Kher, Supriya Pathak and Tanisha Mukherjee.

According to Varma, the film is a Mumbai underworld interpretation of Mario Puzo's 1969 novel The Godfather.[1] set in a political scenario. There have also been speculations in the media[who?] that the film is loosely based on the family of Balasaheb Thackeray, the leader of the Mumbai-based political party, Shiv Sena.

The film's sequel, Sarkar Raj, was released on 6 June 2008.

Subhash Nagre (Amitabh Bachchan), who is known by his followers as Sarkar, lives in Mumbai. The opening scenes show a rape victim's father (Veerendra Saxena) approaching Sarkar for justice (which the corrupt law and order system has failed to deliver) which Sarkar promptly establishes by having the rapist beaten up by his henchmen. His son, Vishnu (Kay Kay Menon), plays a foul-mouthed producer who is more interested in the film actress Sapna (Nisha Kothari) than his wife Amrita (Rukhsar). Sarkar's other, more upright son, Shankar (Abhishek Bachchan), returns from the United States with his love Pooja (Katrina Kaif) after completing his education there. Pooja's doubts about Sarkar's image cause Shankar, who firmly believes in his father's righteousness, to break up with her later in the movie.

One day, a Dubai-based don, Rasheed (Zakir Hussain) tries to strike a deal with Sarkar; he promptly refuses on moral grounds and also forbids him from doing it himself. Rasheed tries to eliminate Sarkar's supremacy with the help of Selva Mani (Kota Srinivasa Rao), Sarkar's former associate and Swami Virendra (Jeeva). Meanwhile, they trap Sarkar by assassinating a righteous, upright, Ahimsa political leader and an outspoken critic of Sarkar, Motilal Khurana (Anupam Kher). Everyone, including Vishnu believe that Sarkar is guilty but Shankar has deep faith in his father. Sarkar gets arrested. Shankar now takes over the position of Sarkar temporarily. On learning of a plot to murder his father in prison, he approaches the police commissioner (Anant Jog) who mocks him and his father besides not providing protection. By the time he reaches the prison and appropriate action is taken, the attempt on Sarkar's life is already made. Sarkar is later acquitted. He remains bedridden as Shankar takes on Sarkar's enemies. Meanwhile, Selva Mani, Swami and Rasheed try to convince Vishnu to murder Sarkar. Vishnu was previously thrown out of Sarkar's house because he had murdered the actor who was having an affair with Sapna. Vishnu returns home pretending to have repented. When he approaches Sarkar in the dark of the night with the intent of murdering him, Shankar foils his plan and later kills him (establishing justice by the way of his father). Shankar eliminates Rasheed and Selva Mani. He also succeeds in making Swami his puppet. Shankar has also realized that Chief Minister Madan Rathore (Deepak Shirke) also has a part in the attempt to end Sarkar and his rule. This results in legal action against the Chief Minister. The closing scenes show people approaching Shankar for justice and his father apparently retired.

Cast and characters :
* Subhash Nagre a.k.a. Sarkar (Amitabh Bachchan) is an enigmatic man. His millions of supporters call him Sarkar - the government; also meaning Sir. He dispenses justice that is simple, effective and brutal - an eye for an eye, a tooth for a tooth. He is not a criminal, yet his deeds are anything but legal. Sarkar is a parallel government.

This character is loosely based on that of Vito Corleone from The Godfather.

It is also believed to be inspired by the life story of Balasaheb Thackeray, the real-life founder of the Mumbai-based political party, Shiv Sena. Director Ram Gopal Varma has denied this.

* Shankar Nagre (Abhishek Bachchan) is the opposite of his brother. Suave, calm and calculative, yet extremely intelligent and foreseeing, he believes in his father completely and understands and accepts his ideals unquestioningly.

This character is loosely based on that of Michael Corleone.

It is also reportedly inspired by Bal Thackeray's son, Uddhav Thackeray; who has taken over his retired father's mantle as chief of the political party Shiv Sena.

* Vishnu Nagre (Kay Kay Menon) is a hotheaded and easily manipulated wastrel. He is a shady film producer and a wife-beater. He does not identify with his father's ideals. To him, power is meant to be used; abused, to get what he wants. He is constantly at odds with his father. Vishnu was killed by his own younger brother after being held while trying to assassinate Sarkar.

This character is a combination of Santino Corleone (hot tempered elder brother), Fredo Corleone (in the fact that he was the brother who betrayed the family and that he is killed by his younger brother, similar to Fredo's storyline in The Godfather Part 2) and Carlo Rizzi (wife-beater and traitor to the family).

* Silver Mani (Kota Srinivasa Rao) is an associate of Sarkar but is unhappy with Sarkar's unshakable righteousness (which obstructs the illegal activities he does without Sarkar's knowledge or approval). This causes him to enter into an alliance with Rasheed to end Sarkar's rule.

This character can be matched with two characters of The Godfather. Selvar, being one of loyal men of Sarkar, is possibly based on the character of Salvatore Tessio. But later his collaboration with Shankar specially in the way Shankar had him killed, has similarities with the character of Hyman Roth.

* Motilal Khurana (Anupam Kher) is a righteous leader, a preacher of non-violence (Ahimsa) and an open critic of Sarkar's policies which violates the rule of law. He accuses Sarkar of maintaining an army of thugs in the name of justice. Despite all this, Sarkar genuinely respects him and feels that the world needs leaders like him desperately.

It appears that this character is loosely based on Silvio Ferra (from Mario Puzo's literary sequel to The Godfather, The Sicilian). Khurana had immense popularity among people of Maharashtra but later ultimate rivals of Nagre assassinate him and frame the assassination as if it could have been done by Nagre.

* Rasheed (Zakir Hussain) is a Dubai based criminal who trafficks illegal commodities. He, like many people, misunderstands Sarkar's parallel rule and approaches him to "seek blessings" for his new "business" in an area controlled by Sarkar. Sarkar promptly refuses and forbids Rasheed from doing his "business". He then plots to end Sarkar and his Rule.

This character is loosely based on that of Virgil Solozzo.

* Swami Virendra (Jeeva) is a delinquent Hindu pundit or "Swami" who is exceptionally intelligent and aware of Sarkar's strengths, weaknesses and philosophy. He enters an alliance with Rasheed and Silver Mani to end Sarkar's rule.

His character is loosely based on the real-life, controversial God-man, Chandraswami. There are also parallels with Don Emilio Barzini.

* Pushpa Subhash Nagre (Supriya Pathak) is the wife of Subhash and the mother of Vishnu and Shankar. She silently observes her husband's dealings and calmly watches Vishnu abuse his power. Nevertheless she loves her family dearly and tries to make sure they stay together.

This character is a loosely based on Carmela Corleone.

* Amrita Vishnu Nagre (Rukhsar) is the wife of Vishnu. She knows that her husband cheats on her every day, and that she'll probably never get the love and respect she deserves. However she puts up with Vishnu's temper and stays strong for their son.

This character is a loose amalgamation of Constanzia "Connie" Corleone (wife of Carlo Rizzi) and Sandra Corleone (wife of Santino Corleone).

* Avantika (Tanisha Mukherjee) is Shankar's childhood friend who has loved him for years. His parents want him to marry her. When he returns she is happy but is devastated when he comes back with his girlfriend, Pooja. She puts on a brave face in front of him but it is not long before he finds out her true feelings. In the end, Shankar breaks up with Pooja and marries Avantika.

* Pooja (Katrina Kaif) is Shankar's girlfriend and has studied with him abroad. When she witnesses what Shankar comes from she is shaken and scared. She makes Shankar choose between her or the life of guns and death. The two later break up.

This character shows up with some confusions while seeking similarities between Sarkar & The Godfather. In The Godfather, Michael's girlfriend Kay Adams had some annoyance about the Corleone family's illegitimate operations but Michael had her managed by giving word that he would bring legitimacy in five years. But in Sarkar, Shankar was enormously offended at Pooja's suspicions & remarks over his father. He finally broke up this relation, which the base character Michael Corleone managed to carry on. So, in Sarkar, more than Avantika, the character of Pooja is based on that of Kay Adams, though Shankar finally didn't marry Pooja.

* Savatya is Subhash Nagre's most trusted informers & an important man in Sarkar's intelligence & crime network. He is known as one of Sarkar's most loyal informer in the underworld. This is the character which seems as an important character according to the base film The Godfather, but the most interesting thing is this character has not been played by anyone. After Rasheed came to Sarkar with the drug-trafficking deal & got refused, Sarkar mobilized Savatya to gather every possible intelligence about Rasheed & his aides. Sarkar mentioned that this Rasheed seemed dangerous to him, the only moment in the entire movie where Sarkar is seen to be tensed about any single person. The information of Savatya's getting deployed, got leaked to Rasheed. Sarkar's most trusted caporegime Chander found Savatya dead in his apartment while he looked for him after the arrest of Sarkar.

This character is loosely based on that of Luca Brasi. ( This seems to be wrong Luca Brasi did not have the role of an unseen informant in the movie " The GodFather ". In fact in " The Godfather ", Luca Brasi was a ruthless cold blooded killer.

* Khan (Ishrat Ali) is the counselor of Sarkar. He is one of most trusted men whom Sarkar gives importance to have every operation discussed with him. When Selva Mani trapped Shankar to have him killed by Rasheed's hitman Ullas, during the shot Khan pushed Shankar aside and took the shot to himself. Then Shankar fled from the scene and Khan was brushed by bullets from others of Rasheed's men.

This character is loosely based on Tom Hagen.

* Chander (Ravi Kale) is Sarkar's caporegime, a tough guy who is incredibly loyal to Sarkar. He is often used as a counselor to settle up tough business matters, but being an enforcer is his main role in Sarkar's operations.

The character of Chander is loosely based on The Godfather character Salvatore Tessio. Though Chander had Shankar assassinated via an assassin in the sequel Sarkar Raj, Tessio's treacheries were detected before Emilio Barzini could get Michael Corleone assassinated.

* Vishram Bhagat (Raju Mavani)

* Rape Victim's Father (Veerendra Saxena)

He comes to Sarkar with a request to put to justice the man who raped his daughter, but got away thanks to the influence wielded by his wealthy family as well as the corrupt law and order system. Sarkar promptly sends Chander and some other goons to deal with the perpetrator.

In The Godfather, Amerigo Bonasera approaches Vito Corleone with a similar request.

* Chief Minister Madan Rathore (Deepak Shirke)

Shankar realizes that he also has a part in the attempt to end Sarkar and his rule. This results in legal action against the Chief Minister.

* Sapna, Upcoming Film Actress (Nisha Kothari)

She plays a starlet and is an object of infatuation for Vishnu, who is making a movie starring her.

Her character has some parallels with that of Lucy Mancini, who has an illicit relationship with Santino Corleone.

* Police Commissioner (Anant Jog)

He is corrupt and in support of Subhash Nagre's enemies.

His character has some parallels with the corrupt Police Captain McCluskey, who was assassinated by Michael Corleone.

Commercial and critical reception :
Sarkar was above average success at the box office and was greeted very well by critics. Critics liked the way the movie indigenised The Godfather and introduced a political angle to it. The actors, particularly the trio of Amitabh Bachchan, Abhishek Bachchan and Kay Kay Menon, were lavished with praise for their controlled yet intense performances. Abhishek Bachchan in particular, was rewarded for his portrayal as a son who is inexperienced but enters an unknown world so as to save his father. He won the following awards:

* Filmfare Best Supporting Actor Award
* Zee Cine Award Best Actor in a Supporting Role - Male
* IIFA Award for Best Supporting Actor

However, some[who?] critics felt that the movie lacked the depth and subtlety of the plot, dialogue and characterization present in The Godfather.

Muqaddar Ka Sikandar : Na **MAUT** aati hain Na **MEMSAAB** Aati hain !!


Sikandar is representative of all the people who are neglected at some or other point of the time in their life, he is also representative of the heart-broken people who couldn’t get the love of
their life. He represents the people who had to fight it out all their life. In short he represents at least some part of every person. Sikandar also represents the people who got the legacy of only ’Dard’ (sorrow) in their life. Everyone goes to him when they are sad but he has no one to look for his own troubles. Sikandar again proves why (in Mahabharata) Karna appeals more to people than Arjuna. The sense of negligence is the worst sorrow in life the one makes person to question their worth.

THE PLOT
This movie is about the sorrows & how Sikandar deals with them. He is blamed of shop-lifting, he looses his love in childhood, he carries the burden of being the ’wrong-guy’ in the eyes of the people who he cares most: His ’Memsab’. He makes other people’s lives better when at the same time he is suffering with personal pain & agony! The ’Karna’ angle is not seen for nothing.

You can hear his feelings thru his monologues & you as a audience get to know whats going on in his mind but not a single character from the movie..well except after he find Johra-bai (Rekha)! You as an audience are made to ’live’ Sikandar’s sorrows & are made to watch them thru his eyes. He sees love of his life in love with other person: all happy & dancing/singing with pure Joy.

The other person is his best friend whom he loves as much! Complete with defeated mentality he tries to seek support from his soul-mate Johra-bai, who bcos of a promise to Sikandar’s friend chews a diamond in order not to meet him! Sikandar again looses his pillar of support & has to watch her die in his arms. ’Johra main dil-jala hun saari duniya jala dunga’. He pick her up & goes to kabra-sthan & complains to the ’baba’ that he can’t take it anymore & can’t take all this sorrow laughing as Baba has advised him years back.

He speaks to baba his mind just to find that Baba is also left the journey of life! Audience & Sikandar is stunned. Finally Sikandar gives his life by fighting with mislead lover of Johra (Amjad Khan: Deelawar Khan) in order to protect his sister & asl the marriage proceedings.

THE ACTING
Amitabh as Sikandar: Can there be a better person for this role? You can check my 5 Best actors review & also Amitabh top 10 movies review where I have discussed in detail similarity & differences between two Greats like Dilip Kumar & Amitabh. This is one movie that explains how Amitabh had / has en edge over Dilip Kumar, the one that explains the difference between natural actor & a natural but methodical actor.

You can’t predict Amitabh’s actions / display of emotion in every movie..GREAT given how many years/movies he has been acting. This movie also explains you why BACHCHAN was a Super-Hero, SUPER-Man & a Larger-than-life personality from id 70s to late 80s. The man is to put plainly a GENIUS. At the same time he is intelligent to soak/understand what others greats like Pachino, Brando, Jerry Lewis have to offer. Despite enjoying all-out top 1 to 20 positions in the Indian film industry this man was highly humble, honest & highly professional. Never/Ever troubled any director with the dates/time which was a norm / common thing in the industry in the 70s & 80s.

The name ’BACHCHAN’ carried an aura of such an invincibility that by the time Shakti was about to release Dilip Kumar had become the under-dog !!!

Apart from emotional/tragic scenes check his expressions in the O Sathi Re Song. Specially in the music-pieces connecting two stanzas. His humorous scenes with ’Prarelal’ are a much needed relief for the public. ’Tum thehero, Hum Nikalate hain, Hum baithate hain’ etc dialogs & their acting together is really entertaining. Every now & then though Sikandar’s sorrow comes thru his dialogs :’Na maut aati hain na memsaab aati hain, lekin Zohra-bai tum bahot achha gaati ho’

Rekha
Un-arguably this is her best movie/acting, Umrao Jan notwithstanding (though VERY good). She fits the bill of Johra bai perfectly & compliments Sikandar well. Sikandar & Johra find a worthy friend in each other with Johra having much more feelings for Sikandar. Rekha displays an unmatched ’ada’ & modesty in this role. Public applauds when she says ’Itane paise main to Sikandar ki tasveer na du’. She chooses to die for her promise to Vinod Khanna that she would not meet Sikandar again & thanks almighty to allow her to die in the hands of the person she adores/loves more than her life. Her life’s tragedy is summed by Sikandar’s request to Deelawar Khan ’Ja Johra ke kabrasthan main hain, to use ye to sukun hoga ki koi to use pyar karat tha!’

Amjad Khan Do I need to repeat that I LOVE this man? Not only because of his Gabbar but equally for his every role may it be Vikram in Natwarlal, Inspector Khan in Qurbani or Deelawar Khan in this movie. He gets applaud repeatedly for his dialogs in this movie more so bcos of his JINDA-DIL approach. ’Kya baap abhi tak idhar hain kya’..or when he comes to the police-station ’Dekh Inspector abhi apun usako tapakaya aur khud idhar aya police-station main!!!’ Pubcli loves this guy & why not!!!

Vinod Khanna A stable/consistent performer & in my opinion the most handsome/whatever hero/actor ever produced in Indian cinema. Dharmednra comes distant second. He has given many hits with Amitabh & they used to compliment each other perfectly. Sometime they look very similar in profile etc. I really liked them together & think such a pair hasn’t appeared again.

THE MUSIC
I have already penned ’Salam-E-Ishq’ in my 10 Best Amitabh review. Won’t repeat here. Just check that review out for this movie & you would surely love the description there for sure. The lyrics are noteworthy specially the stanzas & also Amitabh’s piece Isake aage ki dasata ab tu muzhese sun.

Watch people go all crazy in the theatres even today when Amitabh comes on scene with Hey, hey..Rote huwe aate hain Sab, Hasata huwa jo jayega. I specially like the stanza ’Jindagi to bewafa hain ek din thukarayegi’. Rekha’s ’Wafa jo na kee to jafa bhi na keejiyen’ is ok. ’Dil to hain Dil is cool & so is O Sathi re’

CONCLUSION
Overall a masterpiece by Prakash Mehra. He is one of the director who made VERY good use of Amitabh’s abilities. Manmohan Desai eyed only box-offcie & gave pretty mediocre stuff after AAA. EVen Naseeb was so so & Mahan was bakwas. Mukaddar Ka Sikandar is a must see, one of the best display of acting by the best actor of Indian cinema along with Dilip Kumar & Naseeruddin Shah. Watch it for Amitabh, Rekha pair too. Certainly watch it for Amjad khan’s Deelawar performance.

Parvarish (1977 film) : This was a "Hit" and the fourth highest grossing film of the year at the Box office!!


Parvarish (English: "Upbringing") is a 1977 Hindi film directed by Manmohan Desai. The film stars Amitabh Bachchan and Vinod Khanna as two brothers playing oneupmanship, because one brother believes he is adopted and not the real son. Shabana Azmi and Neetu Singh play the love interests. Amjad Khan and Kader Khan are the villains. Laxmikant Pyarelal gave the the music to this film and Majrooh Sultanpuri the lyrics.

This was a "Hit" and the fourth highest grossing film of the year at the Box office; and M. Desai's one of four hits that year, others being Dharam Veer and Chacha Bhatija with Dharmendra and Amar Akbar Anthony, a blockbuster with Amitabh Bachchan . The film also marked Shammi Kapoor's full entry into character roles (after his own production Manoranjan), which he would lead in for nearly the next two decades.

A police officer, DSP Shamsher Singh (Shammi Kapoor) captures the notorious bandit Mangal Singh (Amjad Khan) just as Mangal's wife is about to give birth. She dies at childbirth, but not before extracting from the DSP his promise to take care of her son. Subsequently, DSP Singh raises the boy alongside his own. Though ironically, DSP Singh's natural son Kishen (Vinod Khanna) has a wicked streak, while Mangal's son, Amit (Amitabh Bachchan), is endowed with an honest nature.

Released after 14 years in jail, Mangal finds out that his son is with his old enemy. He mistakes Kishen to be his son and instigates him to fight against Shamsher's family. They join the underworld gang and spread havoc. Amit becomes an honest police officer and is assigned the task of nabbing the gang. After a misunderstanding, Kishen comes to believe he is actually Mangal's son and falls under the bandit's influence, though he continues to live in the inspector's home.

* Shammi Kapoor - DSP Shamsher Singh
* Amitabh Bachchan - Amit
* Vinod Khanna - Kishan
* Neetu Singh - Neetu
* Shabana Azmi - Shabu
* Kader Khan - Supremo
* Amjad Khan - Mangal Singh
* Tom Alter - Mr. Jackson
* Indrani Mukherjee - DSP's wife

Crew :
* Art Direction: Babu Rao T. Poddar
* Costume Design: Shalini Shah, Ram Singh
* Assistant director: Denny Desai, Ketan Desai
* Choreographer: Kamal Kumar
Music :
The film had music by Laxmikant Pyarelal and lyrics by Majrooh Sultanpuri. [3]
Song Singer (s)
Aji Thahro Zara Dekho Asha Bhosle, Aarti Mukherjee, Amit Kumar, Shailender Singh
Hum Premi Prem Karna Janen Mohammad Rafi, Kishore Kumar, Shailender Singh
Sab Janta Ka Hai Ye Lata Mangeshkar, Usha Mangeshkar
Sambhal Jaye Zara (qawwali) Lata Mangeshkar, Usha Mangeshkar
Bandh Aankh Se Dekh Tamasha Kishore Kumar, Chorus
Aaiye Shauk Se Kahiye Asha Bhosle, Kishore Kumar

Don (1978 film) :: It became a box office success :: It has gained cult film status in India


Don is a 1978 Bollywood action film, produced by Nariman Irani and directed by Chandra Barot, with music by Kalyanji Anandji and lyrics by Anjaan. The film stars Amitabh Bachchan, Zeenat Aman, Pran, Iftekhar, Helen and Om Shivpuri, Satyen Kappu and Pinchoo Kapoor.It became a box office success.[1] It has gained cult film status in India.

Don (Amitabh Bachchan) is the leader of an underworld gang until Police Officer D'Silva (Iftekhar) tracks him down and in an attempt to catch him ends up killing him. But Don's death is only known to D'Silva. So Officer D'Silva tracks down a lookalike of Don named Vijay. Vijay impersonates Don to take down the rest of Don's gang while the DSP promises him that he will give a proper education to his wards who are actually the children of Jasjit (Pran).

Meanwhile, Jasjit comes out of prison after serving his jail term, only to find Officer D'Silva having a red diary that would show Vijay's true identity. Officer D'Silva is killed by Malik who is introduced as the Interpol officer, but is in fact the real king of the underworld. It's now a race to retrieve the diary in which the DSP has documented the substitution of the real Don with the innocent Vijay. One famous dialogue of movie is "Don ko pakadna mushkil hi nahin namumkin hai" (it is not just difficult to catch Don, but it is impossible)
Don begins, true to its title, as the story of one of the most powerful men in the business of crime, who in spite of being one of the most wanted on the list of Interpol, remains elusive to the police. Along with the police, Don makes a few other enemies through his merciless approach to running his organization, especially when he kills one of his own men, Ramesh, when Ramesh decides to leave the business. This introduces Don to two new enemies, Kamini (Helen), Ramesh’s fiancee, and Roma, (Zeenat Aman) Ramesh’s sister. When Kamini seduces Don and attempts to have the police arrest him, her plan backfires as Don outsmarts her and the police in his escape, and in the process Kamini loses her life.

A shattered, revenge-seeking Roma first trains in judo and karate, then enters Don’s gang after deceiving them into thinking that she too is on the wrong side of the law. Don is impressed with her fighting skills and allows her to work for him, without realizing her true intentions. Meanwhile, after a couple of unsuccessful attempts at nabbing Don, the police finally succeed, but Don dies during the pursuit, botching Officer D’Silva’s plan to reach the source of all crime—the man Don reported to—through capturing Don alive. D’Silva buries Don’s body, ensuring that people believe that he may still be alive. As luck would have it, D’Silva remembers his chance encounter with Vijay, a simpleton trying to survive in the hustle and bustle of Bombay in order to support two small foster children, who bears a striking resemblance to Don. D’Silva hatches a plan to transform Vijay into Don and place him back into the crime nexus, but this time as a police informer.

Around the time Vijay "returns" to Don's gang as Don under the guise of amnesia, Jasjit, just released from jail, begins his mission of revenge against D’Silva and his search for his children Deepu and Muni, who had been saved and taken care of by Vijay. Roma, hellbent on eliminating Don in order to avenge her brother’s death, is suddenly introduced to the fact that Don is dead and the man she is trying to kill is actually Vijay.

Meanwhile, as Vijay learns more and more about Don through his discovery of his diary and Roma’s help, he announces to his colleagues that his memory is back and meanwhile hands the diary over to D’Souza. Celebrations ensue, as Don announces his return to the world, but things take a drastic turn when the police raid the celebrations, and Vijay’s only witness to his true identity, D’Silva, dies in the crossfire.

Tangled in a web of confusion where the police refuse to believe that he is Vijay, whereas his underworld gang realizes that he is indeed not Don, Vijay becomes not only hated by the police, but also by Don’s right-hand man, Narang, and the rest of his gang. To add to Vijay’s woes, Don’s diary which he had handed over to D’Souza—his last hope of proving his innocence—is stolen by Jasjit in an attempt to track down his lost children, without realizing that Vijay is the one man who can reunite them. Vijay escapes the clutches of the police and the underworld with Roma’s help and returns to his old self though he struggles to prove his identity and innocence. The ending reveals a shocking twist in the tale where Vijay discovers who is truly on his side, and who is against him.
* Amitabh Bachchan as Don/Vijay
* Zeenat Aman as Roma
* Iftekhar as DSP D'Silva
* Pran as Jasjit
* Om Shivpuri as (Impostor) Interpol Officer R.K. Malik/Vardhaan
* Satyendra Kapoor as Inspector S. Verma
* Pinchoo Kapoor as (Real) Interpol Officer R.K. Malik
* P. Jairaj as Dayal (Judo Karate Instructor)
* Kamal Kapoor as Narang
* Arpana Choudhary as Anita
* Helen as Kamini
* M.B. Shetty as Shakaal
* Mac Mohan as Mac
* Azad as Azad
* Yashraj
* Devaraj

Awards :
* Amitabh Bachchan won a filmfare award for best actor. This movie became a milestone in Indian Cinema.
* Asha Bhosle won a Filmfare award, for the song "Yeh Mera Dil".
* Kishore Kumar won a Filmfare award, for the song "Khaike Paan Banaraswala."

Behind the scenes :
Producer and cinematographer Nariman Irani was in a financial mess when his film Zindagi Zindagi (1972) starring Sunil Dutt flopped. He was in debt for Rs12 lakhs and couldn't pay it off on a cinematographer's salary. When he was doing the cinematography for Manoj Kumar's major hit Roti Kapada Aur Makaan (1974), the film's cast (Amitabh Bachchan, Zeenat Aman, Pran) and crew (assistant director Chandra Barot) decided to help him out. They all recommended that he produce another film and that they will participate in the film. They all approached scriptwriting duo Salim-Javed, who gave them an untitled script that had already been rejected by the entire industry. The script had a character named Don. Bachchan would play Don, and Barot would direct the film. Aman and Pran would play key roles in the film.The film took three-and-a-half years to complete. Before filming was completed, producer Irani had an accident on the set of another film he was working on, and died as a result. Barot faced budget restraints but he got help.Aman did not take any money for her work in the film.Barot showed it to his mentor Manoj Kumar, who felt that the film was too tight and needed a song in the midst of the action-filled film, and so "Khaike Paan Banaraswala" was recorded. The film was released without any promotion on 12 May 1978 and was declared a flop the first week. Within a week, the song "Khaike Paan Banaraswala" became a big hit, and word of mouth spread, so by the second week, the film was also declared a big hit. The profits from the film were given to Irani's widow to settle her husband's debts.

Amar Akbar Anthony : It was the biggest blockbuster of 1977!!


Amar Akbar Anthony (Devnagari: अमर अकबर एन्थोनी) is a 1977 Bollywood film about three brothers separated during their childhood who grew up in three different homes, adopting three different religions. It was the biggest blockbuster of 1977 and has also won several Filmfare awards.

The film was directed by Manmohan Desai and starred three actors, of them included Amitabh Bachchan (as Anthony Gonsalves), Vinod Khanna and Rishi Kapoor. Each of the three heroes had an affiliation with a heroine, which included Parveen Babi, Shabana Azmi and Neetu Singh. Nirupa Roy, Pran and Jeevan played supporting roles. The music was written by Laxmikant-Pyarelal. Kishore Kumar sang for Amitabh Bachchan, and Mohammed Rafi sang for Rishi Kapoor. The soundtrack was one of Mukesh's last soundtracks with Laxmikant-Pyarelal. Anand Bakshi was the lyricist.

The film was later remade in two times: in Telugu as Ram Robert Rahim (1980)and in Malayalam as John, Jaffar, Janardhan.

Kishanlal (Pran), a chauffeur, takes the blame for a fatal hit-and-run accident committed by his mob boss employer, Robert (Jeevan), on the assurance that his family's income will be tripled and their welfare looked after. He returns from prison to find his wife Bharati (Nirupa Roy) suffering from tuberculosis and his three sons starving. Seeking help from Robert for the sake of his family, he is ridiculed, humiliated and repudiated, until he turns on Robert and tries to kill him. Making his escape, Kishanlal inadvertently takes a car containing a shipment of gold bullion. Robert's goons give chase.

Kishanlal goes home to rescue his family - only to find his wife's suicide note. Unbeknownst to him she fails, and is struck blind. He leaves his sons in a public park (at the foot of a statue of Ghandi) while he draws off the pursuing goons. In the car chase that follows he crashes, is thrown clear of the wreck, and discovers the gold. But by the time he returns to the park with his riches, his three children have vanished. They have been adopted by a Hindu policeman (Amar), a Muslim tailor (Akbar), and a Catholic priest (Anthony). In revenge, Kishanlal kidnaps Robert's daughter Jenny and raises her as his niece, meanwhile using the gold to destroy Robert and set himself up as mob boss.

Amar (Vinod Khanna) becomes a policeman like his adoptive Hindu father; the Muslim-raised brother Akbar (Rishi Kapoor) becomes a singer; the middle brother, Anthony (Amitabh Bachchan), is raised by a Catholic priest and becomes a likable, socially-conscious scamp who runs a quasi-legal bar and brewery and makes God his 'partner' by donating half his income to charity. The three meet when they donate blood for an accident victim, unaware that they are related - or that the recipient is actually their biological mother Bharati.

Their lives become entangled in an incredible web of unlikely coincidences and furious action sequences, interspersed with song, when Amar's adopted father is seriously wounded and Anthony's adoptive father, the priest, is murdered. In their pursuit of justice their paths cross until, combining efforts, they discover both the culprit and their mutual heritage.

In addition to the ongoing feud between Robert and Kishanlal, each son meets and courts - with greater or lesser difficulty - their love interests. When the grieving mother regains her sight, one by one the family is re-united until Robert, who caused their suffering, is imprisoned and the family united.

* Amitabh Bachchan ... Anthony Gonsalves; second son
* Vinod Khanna ... Inspector Amar Khanna; first son
* Rishi Kapoor ... Akbar Allhabadi/Raju; third son
* Parveen Babi ... Jenny; Anthony's girlfriend
* Neetu Singh ... Dr. Salma Ali; Akbar's neighbor and love interest
* Shabana Azmi ... Laxmi; common thief and Amar's love interest
* Nirupa Roy ... Bharati; mother of 3 boys
* Pran ... Kishanlal; driver profession, father of 3 boys, husband of Bharati
* Jeevan ... Robert, the mob boss
* Ranjeet ... Ranjeet

Awards & Nominations :
* Filmfare Best Actor Award-Amitabh Bachchan
* Filmfare Best Music Director Award-Laxmikant-Pyarelal
* Filmfare Best Editing Award-Kamlakar Karkhanis
* Filmfare Nomination for Best Movie Award
* Filmfare Nomination for Best Director-Manmohan Desai
* Filmfare Nomination for Best Lyricist-Anand Bakshi for the song "Parda Hai Parda"
* Filmfare Nomination for Best Male Playback Singer-Mohd. Rafi for the song "Parda Hai Parda"

Naseeb : A Story Of Destiny And Fate!!!


Naseeb (Devnagari: नसीब, in English: Destiny) is an 1981 Hindi film produced and directed by Manmohan Desai. The film is a typical Manmohan Desai film with his regular star Amitabh Bachchan and a large cast, lavish sets, memorable music and the lost and found theme. The film also stars Hema Malini, Rishi Kapoor, Shatrughan Sinha, Reena Roy, Kim, Pran, Kader Khan, Shakti Kapoor, Amrish Puri, Amjad Khan and Prem Chopra. The music is by the Manmohan Desai regulars Laxmikant Pyarelal. The film was very successful, earning Rs. 14.5 crore (US$ 3.23 million) at the box office.The film was later remade in Telugu as "Trimurthulu" (1987) with Daggubati Venkatesh.

Naseeb, a story of destiny and fate, begins with a lottery ticket. A drunk who cannot pay his tab trades his recently purchased ticket to the waiter, Namdev (Pran), instead. Namdev purchases this ticket with his three friends Damu (Amjad Khan), Raghu (Kader Khan) and Jaggi (Jagdish Raj) - and using a system of drawing out the highest card to decide who keeps the ticket - which Jaggi wins, the ticket stays with him. When the ticket turns out to be a winner, Damu and Raghu turn on the other two, murdering Jaggi and framing Namdev. Namdev goes on the run but Raghu and Damu intervene and throw him over a bridge into a river and Namdev is presumed dead. However he is rescued by a don (Amrish Puri) but no one is aware he is alive. Fast forward to ten years later - Damu and Raghu have used their stolen lottery money to build a fabulous hotel and make millions becoming very successful businessmen. Damu has used a share of his money to send his only son, Vicky (Shatrughan Sinha) to school in England. They have even employed Namdev's oldest son Johnny (Amitabh Bachchan), Vicky's best friend, as a waiter in the hotel. By coincidence (or by fate!) Johnny and Vicky who are the best of friends fall in love with the same beautiful singer, Miss Asha (Hema Malini). Julie (Reena Roy) is a childhood friend of Vicky's who is in love with Vicky, but he only sees her as a friend. When Johnny discovers this, he and Julie sacrifice their own love to ensure that Vicky and Asha get together. At the same time, John's younger brother Sunny (Rishi Kapoor) has fallen for Asha's younger sister, Kim (Kim). Kim and Asha also happen to be the daughters of Jaggi, the man Namdev supposedly murdered. Namdev returns soon after and plans to take revenge against Damu and Raghu for separating him from his two sons Johnny and Sunny. The lives of all these characters become interwined and Naseeb becomes a poignant story about love, friendship, sacrifice, deceit, revenge and above all, destiny. Naseeb set the trend for multistar song sequences like the "John, Janni, Janardan Tarra Rum pum" cameos by Raj Kapoor, Shammi Kapoor, Randhir Kapoor, Dharmendra, Rajesh Khanna, Sharmila Tagore, and Mala Sinha.

* Amitabh Bachchan .... Johnny
* Shatrughan Sinha .... Vicky (Vikram)
* Rishi Kapoor .... Sunny
* Hema Malini .... Asha
* Reena Roy .... Julie (Vicky's best friend)
* Kim .... Kim (Sunny's girlfriend)
* Pran .... Namdev
* Amjad Khan .... Damu (Damodhar)
* Kader Khan .... Raghuvir
* Prem Chopra .... Raghu's eldest son
* Shakti Kapoor .... Ashok (Raghu's youngest son)
* Amrish Puri .... Don
* Lalita Pawar .... Mrs. Gomes (Julie's mother)
* Yusuf Khan .... Zabisco (Don's son)
* Jagdish Raj .... Jaggi (Asha & Kim's father) (band musician)
* Om Shivpuri .... Mr. K.K.
* Mukri .... Mehboob Bhai
* Parveen Babi .... Ms. Prema (school principal)
* Jeevan .... Professor Prem
* Viju Khote .... Rodricks

* One of the songs in the film sung by Mohammed Rafi, "John Johnny Janardhan" has cameo appearances by many actors playing themselves. The cameo appearances include Raj Kapoor, Shammi Kapoor, Randhir Kapoor, Dharmendra, Rajesh Khanna, Vijay Arora, Waheeda Rehman, Sharmila Tagore, Mala Sinha, Bindu, Simi Garewal and Simple Kapadia.
* Hema Malini received a Filmfare Nomination as Best Actress, the only nomination for the film.

Agneepath : is a 1990 Bollywood film directed by Mukul S. Anand!!


It stars Amitabh Bachchan, Mithun Chakraborty, Madhavi, and Rohini Hattangadi, with Danny Dengzongpa as the villain. It was produced by Yash Johar. The title was taken from a poem penned by Harivansh Rai Bachchan, Amitabh's father, and which is recited by the main character throughout the film. People have said it is a so-called copy of Al Pacino's Scarface, but it is not at all. Their thinking this is probably due to one scene which was similar to Al Pacino, but the storylines are completely different.

Bachchan and Chakraborty received the National Award for Best Actor and Filmfare Best Supporting Actor Award respectively for their performances, and Hattangadi earned a Filmfare Best Supporting Actress Award. It earned Rs. 172,491,040.

The film opens with a school master Dinanath Chauhan (Alok Nath) and his 10 year old son Vijay (Manjunath) watching the sunset over their village of Mandwa, India. Vijay innocently asks why their village becomes dark (there is no electricity) at night when the city (Mumbai) remains lit. The two carry on their morning walk with Dinanath teaching his son the poem Agneepath.Dinanath is a reformer. He runs a small school, leads a (rather weak) campaign to obtain electricity and infrastructure, and generally uplift the village. Unbeknownst to him, the village of Mandwa has been insidiously taken over by a powerful crime baron Kancha Cheena (Danny Denzongpa). Kancha uses the coastal village as a landing point for his contraband from abroad. The village must remain an unnoticed hamlet on the west coast of India, so Kancha opposes any move for improvement, and specifically intends to remove or eliminate Dinanath. Kancha buys off a local merchant Dinkar Rao (Goga Kapoor). Dinkar Rao stages a scandal where the upright Dinanath is lured to the town brothel, drugged, and found to be in bed with a local prostitute. The angry villagers lynch Dinanath before his wife Suhasini (Rohini Hattangadi) and his young children Vijay and Siksha. Suhasini and the children are forced to flee Mandwa. Young Vijay swears to avenge his father's death. They arrive, penniless and destitute, in Bombay. As is common for street children, Vijay becomes a bootblack. Vijay is polishing a rich man's shoes when he witnesses an attempt to assassinate Kancha Cheena. The assassins are hired by the rival dons Terelin (Sharat Saxena), Usman bhai (Avtar Gill) and Anna Shetty (Deepak Shirke). Some time after, when Suhasini applies for a job at a nearby gas station (owned by Kancha), some of Kancha's goons try to molest her. Young Vijay files a police complaint, but quickly realizes that the cops are in league with the thugs, and so Vijay decides to blow up the gas station. Vijay is hauled before the senior Inspector Gaitonde (Vikram Gokhale). Gaitonde is a good cop and tries to get Vijay off the streets. But Vijay asks why the cops did not act, for their failure forced Vijay to take matters into his own hands; and Gaitonde is simply unable to answer. Some 25 years later, Vijay has grown (played by Amitabh Bachchan) to become a don in his own right. He sits before Gaitonde (now a police commissioner). When asked his name, Vijay replies: "Vijay Dinanath Chauhan, poora nam, maa ka naam Suhasini Chauhan, gaon Mandwa" This becomes Vijay's tagline and is repeated throughout the movie.

Gaitonde, still sympathetic towards Vijay, urges him to give up crime. Vijay asks why. He has risen from utter poverty, fought through a hard and bitter world, and become a wealthy don; the system (including several corrupt cops) has failed him entirely; and why must Gaitonde, who is unable to eliminate corruption in his own house, speak to Vijay of law, order and a just society? Vijay points out that for all of Gaitonde's efforts, the cops have no real evidence (yet another failing of the system) to prosecute him. Gaitonde resignedly warns Vijay of danger and death at every turn. Vijay retorts that he knows who his enemies are, whereas Gaitonde must forever be subject to an irrecoverably failed system. This interchange forms an important theme in the film where a such a society will produce Vijays. Vijay arrives next at a gathering of the dons Terelin, Usman bhai and Shetty and tells them that he knows of their plan to assassinate him. He tells them that he won't run away and will take their bullets head on. If he dies they get everything but if he survives it's him all the way. As he expected, they attempt to assissinate him; they are stunned when he bares himself and invites them to shoot him at point blank range; they shoot him nonetheless and leave him to die. Vijay is rescued by a comical coconut seller, Krishnan Iyer MA (Mithun Chakraborty). The dons try to kill him in the hospital, but he is again saved by Krishnan, and nursed back to health by Nurse Mary Matthew (Madhavi). Vijay appoints Krishnan as a bodyguard for Siksha (Neelam).

Vijay faces another battle on the personal front. His mother Suhasini strongly disapproves of his life of crime, and wishes him to follow Dinanath's noble footsteps. Vijay grows apart from his mother and seeks a shoulder with Mary; their association blossoms into a relationship and they marry. Mary gives birth to a baby boy. Around this time, Siksha develops an affection for Krishnan; Vijay is initially okay with this, but discovers that Siksha wishes to lead a normal life and must inevitably distance herself from Vijay. As a result of the alienation from his mother, and drifting apart with Siksha, Vijay's family life with Mary suffers. He gradually becomes uncomfortable with his status as a crime don.

Realizing Vijay's growing stature on the crime scene, Kancha arranges a meeting. Vijay arrives at Kancha's beachfront home. Vijay demands a piece of the action at Mandwa. Unaware of Vijay's identity, Kancha agrees, but with a warning to never try to cross Kancha. Vijay arrives in Mandwa (where Dinkar Rao is now the de facto mayor). Vijay stages a reverse controversy. He applies police pressure on Dinkar Rao until Dinkar Rao signs over the town deeds; Vijay immediately reveals this two-faced deal to the villagers who promptly proceed to lynch Dinkar Rao. Vijay stands over a dying Dinkar Rao and reveals his identity. Kancha arrives on the scene. But Vijay has already turned Kancha's assistant Laila; it is revealed that Laila is the illegitimate daughter of the prostitute used to frame Dinanath Chauhan, and that Laila has always aspired revenge on Kancha. The cops show up (as planned by Vijay). Laila produces critical evidence (collected over her years as Kancha's assistant) whereupon the cops swiftly arrest Kancha and take him away as Vijay utters his tagline. Having thus accomplished his purpose, Vijay decides to retire from crime, returns to his mother and asks her to move back with him to a peaceful life in Mandwa.

In the meantime, Kancha pulls some strings and escapes from prison. Laila is gunned to death before she can give evidence. All of vijay's trusted men are attacked and end up in the hospital. Taking advantage Kancha moves to Mandwa, forcibly takes over the town, abducts Suhasini and Siksha, and has Krishnan shot by a drive-by shooter. Vijay reaches the town and is challenged by Kancha to try and save his entire family. Vijay runs through the flames to attack Kancha and is joined by Krishnan. After a long and violent battle, Kancha is killed and Vijay is mortally wounded. Vijay returns to his mother and recites, with his dying breath, the poem Agneepath. Suhasini is mortified to understand why Vijay initially chose crime, and why things came to such a pass to achieve redemption. The film ends with Vijay, now forgiven and redeemed, gently passing away in his mothers lap.

* Amitabh Bachchan as Vijay Dinanath Chauhan
* Mithun Chakraborty as Krishna Iyer M.A.
* Madhavi as Mary Matthew
* Neelam as Siksha Chauhan
* Danny Dengzongpa as Kancha Cheena
* Alok Nath as (Master) Dinanath Chauhan
* Rohini Hattangadi as Suhasini Chauhan
* Tinnu Anand as Nathu (Kaka)
* Vikram Gokhale as Commissioner M.S. Gaitonde
* Archana Puran Singh as Shanti/Laila
* Master Manjunath as (Young) Vijay
* Sharat Saxena as Teralin
* Goga Kapoor as Dinkar Rao
* Deepak Shirke as Shetty
* Avtar Gill as Usman Bhai
* Shakti Kapoor as Himself (in song "Ali Baba")
* Monty as Vijay's Bodyguard
* Bob Christo as Kancha Cheena's Gang Member
* Anjan Srivastav as Havaldar
* Sudhir Pandey as Inspector

The film is said to have been inspired and based on the life of Mumbai underworld gangster and urban dacoit, Manya Surve. He was the first person to be shot dead in an encounter by the Mumbai police. The main character, Vijay Dinanath Chauhan (played by Amitabh Bachchan) was heavily based on Surve, with Bachchan even copying the gangster's voice.

The music playing in the background while Vijay Chauhan is traveling in the car in Mauritius is Mory Kante's "Yé ké yé ké". The background score of the film is copied from French composer Jean Michel Jarre's Rendez-Vous album's "Second Rendez-Vous" and "Third Rendez-Vous".
Awards :

Won

* National Film Award for Best Actor - Amitabh Bachchan
* Filmfare Best Supporting Actor Award - Mithun Chakraborty
* Filmfare Best Supporting Actress Award - Rohini Hattangadi

Nominated

* Filmfare Best Actor Award - Amitabh Bachchan