Monday, December 7, 2009

Khoon Pasina : Movie Reviews : Plenty to see and think about


The fourth Big B movie, I would like to review is:Khoon Pasina: On one level, Khoon Pasina is an action-packed revenge saga with knockabout violence, some shoddy production values and (in the case of the abbreviated DVD) a rather incoherent narrative. It is also a fashion House of Horrors. Flared trousers of truly epic proportions are paired with some of the most ghastly clothes ever created. Even at a distance of 30 years and a continent or two, it's hard not to cringe at Vinod Khanna's wet-look leather two piece with leopard skin trim.

Ram alias Tiger is the local criminal don in his part of the town where he lives with his mother. His mother wants him to marry and settle down, and give up his criminal activities. Ram meets Rekha and both are attracted to each other, and soon get married. Rekha is appalled at the way Ram leads his life, with everyone around petrified of him. She asks Ram to give up his criminal activities, and get a job. Ram agrees, but the question is will he keep to his promise or will he just pretend to be honest for Rekha. And on the other hand is Shera, a dacoit with a good heart. Both Ram and Shera are rivals. When Shera hears of Ram attempting to lead a clean life, he decides to move in on Ram's territory, with results that will change their lives forever.

On the acting front, the less said the better. Stacey Keach lookalike, Vinod Khanna, considers himself to be dead since losing his boyhood friend. His acting accords strongly with his self-perception - except during the action sequences which are wildly implausible.

You watch Amitabh Bachchan with morbid fascination. It's not the acting, it's those appalling clothes. Rekha cannot help but look gorgeous but has too little to do. Mercifully, by wearing traditional clothes, she is spared the worst sartorial excesses of her co-stars.

Despite all the above, I still found Khoon Pasina fun to watch and the moment when the two protagonists discover each other's true identity is a classic (albeit of a familiar kind).

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